On this first recording of the "French symphonic" Fisk organ, opus 126, Janette Fishell plays a brilliant program that includes the world premiere of Ferko's Livre d'orgue. A superb acoustic also enhances stunning performances of the rarely heard Litaize and Duruflé's masterpiece on "Veni Creator."

Acclaimed organist Robert Parris presents a varied selection of works particularly suited to the new C. B. Fisk organ in Macon, Georgia. The program showcases the Fisk brand of eclecticism in a large two manual organ. The organ includes a range of historically derived sounds, which make the authentic performance of certain repertoire possible, but also allowing for a wide range of styles. At the center of the program is the American composer Leo Sowerby's seldom-recorded Prelude on "Land of Rest."

Great Organs of Japan, volume 2 C.B. Fisk organ Minato Mirai Hall, Yokohama Hatsumi Muira, organ The second in the Loft Recordings series "Great Organs of Japan" features the C. B. Fisk organ of Yokoyama Minato Mirai Hall, showcasing the artistry of organist Hatsumi Miura. The largest American tracker organ in Japan, this instrument is ideal for the two most famous toccatas ever written for the organ, which "bookend" this program. Includes the rarely performed Adagio assai for organ by Beethoven, Yamada's "Red dragonfly" in an arrangement by Guy Bovet, and Bovet's own satirical French Baroque Noël.

Hatsumi Miura is a well-known international concert artist and has been a featured soloist for several American Guild of Organist national conventions. Extensive booklet, with full specification of the organ.

One of America's leading organists plays in concert on one of America's largest and most important organs -- the landmark Opus 100 of the C.B. Fisk organ company.  Called upon repeatedly to perform at the national conventions of the American Guild of Organists, Mary Preston has flawless technique and an elegant style to communicates to the listener.  The encore also reveals that she has a sense of humor...

The resident organist of the Dallas Symphony demonstrates her intimate knowledge of the Fisk company's Opus 100, one of the most important organs built in the 20th century.  With a wide variety of French sounding resources at her disposal, Preston plays three large suites written for the French symphonic organ.

What if the greatest keyboard players of the first half of the eighteenth century, Bach, Scarlatti, and Handel--all born the same year--had met in a contest pitting their devastating technical brilliance and quickness of invention each against the other? This recording imagines these three remarkable musicians competing on that most celestial of instruments, the organ; the organ being the large Fisk-Nanney at Stanford Memorial Church.

Noted organist and scholar, Kimberly Marshall, explores the relationship between French classical composers and Johann Sebastian Bach.  The Stanford Fisk incorporates two different tuning temperaments (well-tempered and meantone), both of which are heard on this recording.

Two extraordinary organists playing two extraordinary organs in dialogue might seem an over-abundance of riches. Yet it is possible that the great organists of earlier times enjoyed responding to each other across vast spaces. This new recording, which includes compositions by six masters of the North German School, recreates this sound and ambience using two mean-tone organs in Stanford's Memorial Church.

An unusual program featuring the rarely recorded organ music of Daniel Pinkham, who died in December 2006. The Fisk organ at House of Hope is a landmark instrument in American organ building.

A contemporary of Max Reger, Hans Fährmann wrote monumental - and monumentally difficult - works for vast organs in which the display of contrapuntal mastery was a central feature. This first recording of his eighth sonata is accompanied by another first: a triptych arranged from Wagner's Meistersinger. David Fuller plays the large symphonic Fisk organ of SUNY-Buffalo.