Organist Claudia Dumschat, twice recipient of the Claire Coci Prize for Excellence in Organ Performance from the Manhattan School of Music, and praised for her Bach playing by The New York Times as "brilliantly assertive" with "extroverted grandeur," makes her debut recording on the Pro Organo label in an all-baroque program which compares and contrasts the organ-writing styles of three major German figures from the late baroque: Dietrich Buxtehude, Nicolaus Bruhns and Johann Sebastian Bach. To illustrate the comparison, Dr. Dumschat has chosen a popular chorale prelude set by all three, as well as representative Preludes and Fugues.

Dieterich Buxtehude: Prelude and Fugue in F-sharp minor, BuxWV 146
J. S. Bach: Nun komm der Heiden Heiland, S. 654
Nicolaus Bruhns: Preludium in G major
Bach: Prelude and Fugue in E minor "the Wedge," S. 548
Bruhns: Nun komm der Heiden Heiland
Bach: Prelude and Fugue in G major, S. 541
Buxtehude: Nun komm der Heiden Heiland, BuxWV 211
Bach: Passacaglia and Fugue in C minor, S. 582