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Lemare Affair/Hohman
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Hohman plays original compositions by Edwin H. Lemare (1865-1935). Best known as an organ recitalist, he was widely regarded as the greatest living organist in his day. His transcriptions of almost everything (including music from Wagner's operas) are legendary.
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The Stanford Sonatas/Charles Callahan
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The Stanford Sonatas contains 3 of the greatest organ works to appear during the Edwardian era of English music. Written when the composer was age 65, they represent the mature output of a prolific composer. Each of the sonatas has a duration of between 23 and 29 minutes, and each pays tribute to the composers and culture of a separate nation: The Britannica pays tribute to England, the Celtica to Ireland and the Eroica to France. Charles Callahan, quoted by the English trade journal The Organ as "...a real romantic" brings a uniquie sensitivity and grandeur to these works, and his interpretation combined with the period 1911 Harrison organ (a perfect match to the organ works of this era) makes this recording of Stanford one of the most convincing and thrilling you may ever experience.
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A Couple of French Fifths: Symphonies by Widor and Vierne/Frederick Hohman
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A Couple of French Fifths: Symphonies by Widor and Vierne
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In the Shadows of the Everlasting Hills/Richard Elliott
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Richard Elliot is one of three full-time organists at the Mormon Tabernacle. Recent extensive service and restorative maintenance in recent years have preserved this fine instrument, while updating it, so that it remains one of the world's largest and most noteworthy of pipe organs.
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Opus 190/Hohman
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Opus 190 - Vintage Repertoire for a Vintage Organ!
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Symphohmania/Hohman
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The 110-rank Schoenstein organ - a most symphonic instrument - is the perfect match for the depth of expression contained in this all-transcription program. 24-page booklet - in color - with several photographs, and over 5,000 words by Dr. Hohman on topics of the symphonic organ, paths one takes to the symphonic organ, and the music. Complete organ specifications are contained in the booklet.
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The Symphonic Organ/Trafka
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Two large symphonic works anchor this program on the large Aeolian-Skinner of St Bart's in New York. The first "organ symphony" by Franck, is contrasted with Mussorgsky's Pictures at an Exhibition—a work originally for piano, but more popular as an orchestral transcription.
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Promenades en Provence/Simon Nieminski
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Eugène Reuchsel is music shares the same era as the well-known Marcel Dupré. This set of impressionistic French pieces, divided into 3 books along with 2 representative samples of other works from Reuchsel's collection of organ works are entitled "Bouquet de France." Simon Nieminski has chosen St. Louis Cathedral (MO) as his recording location, because its extremely dense and resonant acoustics and the organ produce an effect with this literature that is not unlike many of the largest organs and largest cathedrals in France. It is a sonic spectacular and brings one of the largest sanctuaries in America to your stereo!
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Lemare Affair III/Hohman
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Virtuoso Frederick Hohman presents the third in his Lemare Affair CD series, devoted equally to Lemare's original symphonic organ works and to Lemare's symphonic organ transcriptions. The organ heard, located in restored and renovated Merrill Auditorium, is the same concert organ that Lemare played as Portland, Maine's Municipal Organist during the 1920s.
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Blending Voices/Katharine Pardee
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The 4-manual, 36-stop, 45-rank Rosales organ, Opus 30 (1999) and the 4-manual, 53-stop, 51-rank Hutchings-Votey organ, Opus 1623 (1907). A program of solo organ music by nineteenth- and twentieth-century Belgian composers.
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Who Needs an Orchestra?/Thomas Heywood
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The newly-restored and enlarged Grand Concert Organ in the Melbourne Town Hall (Victoria, Australia) is arguably the most important concert organ in the Southern Hemisphere. This is the premiere recording, featuring Australia's brightest and most entertaining organ virtuoso, Thomas Heywood.
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The Music of Franck: Haskell Thomson
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The premiere recording of the C. B. Fisk organ in Finney Chapel at Oberlin, played by Haskell Thomson, long-time organ professor at the Conservatory.
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Thomas Heywood's Grand Organ Gala!
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The E & G G Hook organ is a perfect match for the original compositions and transcriptions written in the grand symphonic style. The 1876 Centennial Organ was recently restored and enhanced by the Andover Organ Company. Colourful breadth of tone throughout and sumptuous cathedral acoustics. Another thrilling Pro Organo CD featuring Australia's brightest and most entertaining organ virtuoso, Thomas Heywood.
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Let's Go To The Opera/Thomas Heywood
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One of the most entertaining organists of the species is Thomas Heywood, and here he brings his lively wit to bear on popular music from opera.
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Buxtehude at Lynchburg/J. William Greene
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Dr. J. Wm. Greene plays a selection of works by baroque composer Dietrich Buxtehude. Release coincides with the 300th year since Buxtehude's passing (1707) as remembered in 2007.
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David Briggs Live
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David Briggs in a LIVE performance, from March, 2005 on the new Muller organ at Trinity Episcopal Cathedral in Little Rock, Arkansas. Includes a 20-minute improvisation.
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What A Classic/Thomas Heywood
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Australia's most loved concert organist in a program of monumental symphonic music, with several transcriptions, played upon the 1927 Casavant / Schantz organ at St Andrew's Lutheran Church, Mahtomedi, Minnesota USA.
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Bill Chouinard Premieres
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Bill Chouinard, organist of St. Andrew's Lutheran Church, Mahtomedi, Minnesota plays a program of favorite transcriptions as well as organ classics.
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A Day For Rejoicing/St Paul's Episcopal Choir, Indianapolis
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An anthology of sacred choral music by American church musician, conductor and composer Frank Boles.
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Organa Americana
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his debut CD, organist Tom Trenney renders a virtuosic program combining two virtuoso American works from the early 20th century with several works by current American composers. Music by Anne Wilson, George Shearing, Craig Phillips, Steven Paulus, Charles Ives, and a five-movement improvisation by the performer.
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