This fifth volume in the series Decker Plays Decker includes the premier recording of "The Seven Last Words and Triumph of Christ" - played by Doug Cleveland. Edward Landin Senn plays Decker's Praeludium and Decker plays her own Fantasy on the name of Roy Andrew Johnson. Also included is a beautiful "Meditation" by Decker's husband, Ken Yull. All performance on the Flentrop organ of Saint Mark's Cathedral (Seattle).

Decker's playing in awe-inspiring, commanding, and exhilarating." -- Fanfare

The former principal organist of Grace Cathedral, Susan Jane Matthews presents her second recording on the landmark Aeolian-Skinner organ of Grace Cathedral. Recorded with DXD technology, Susan Jane Matthews reveals the extraordinary tonal resources of this historic instrument, set in an acoustic with power bass and long reverberation.

Recorded live at the concert marking The Wanamaker Organ Centennial, Peter Conte and Symphony in C play large-scale works for organ and orchestra.

Winner of Chorus America's coveted Margaret Hillis Award and the American Prize for choral performance, Choral Arts' newest release features the music of Eric Barnum in a program about the nature of love ant different times and situations of life.

The Choirs of the Cathedral of St. Philip in Atlanta present a heavenly foretaste of music for the Feast of All Saints.

The universal importance of nighttime rituals is celebrated in this recording of choral music from many different traditions and eras. This is the first professional release by the GSU Singers under the direction of Deanna Joseph.

The Georgia State University Singers with Deanna Joseph were finalists in 2014 American Prize in Choral Performance.

The lyrical, soulful sound of the flugelhorn is paired with the orchestral rich colors of the Wanamaker organ in this beautiful recording. Popular melodies abound, from the "Alfred Hitchcock Presents" theme to Debussy's "Clair de Lune."

Taken from a decade of Veterans Day concerts by Paul Klemme and the Willamette Master Chorus, this program honors those who have served in the armed forces of the United States of America. "the Call", which was commissioned by the choir, is by Dave Metzger, widely known for his many arrangements and orchestrations for films such as "Training Day", "August Rush", "Frozen" and the Broadway production of "The Lion King" --- for which he won a Tony Award nomination.

Although most pieces in Bach's Orgelbuchlein are short-form works they are anything but unsophisticated. Packed with imaginative approaches to setting chorale melodies, this set of virtuosic gems is worthy of repeated hearings.

Following a disastrous fire, Somers Congregational Church (Somers, CT) rebuilt their church and commissioned a new Richards-Fowkes organ The organ and acoustics are perfect for chamber music and intimate performances of organ solo literature.

The first recording made on the new Richards-Fowkes organ in Handel's parish church in London! Kimberly Marshall plays a program of Handelian themes, and Bach. The new organ is the first American-built instrument in London.

Named the American Guild of Organists’ Distinguished Composer for 2016, David Ashley White was also awarded the 2015 Esther Farfel Award from the University of Houston, the university’s highest honor for teaching and creative work. In July 2015, he was awarded the Raabe Prize for Excellence in Sacred Composition.

Experience how a Parisian would have heard the harmonium on a typical Sunday in the 19th century! At the church, hear the harmonium accompanying the choir during Mass in the morning, followed by Benediction of the Blessed Sacrament in the afternoon. In the evening, experience the virtuosity of a great musician playing harmonium in a salon concert. This program includes many works heard on recording for the first time with original instrumentation---works by Franck, Saint-Saens, Gounod, Berlioz, Lemmens, Dubois, and Lefebure-Wely.

Intended as his final major work for organ, Messiaen's "Meditations on the Mystery of the Holy Trinity" is the culmination of his lifetime work as a composer for the organ. Begun as a set of improvisations celebrating the renovation of the organ at Trinity (and the church's 100th anniversary),  "Meditations" employs new musical languages to explore the mysteries of Christian faith. (Part of The Complete Organ Works of Olivier Messiaen by Colin Andrews, LRCD-1163)

"Livre du Saint Sacrement" is a summation of Messiaen's musical and theological persona, a statement of faith and a profound summary of his entire organ "oeuvres". Here he employs the significant compositional techniques of his life's work: modes of limited transposition, Hindu rhythms, Greek rhythms, plainsong, birdsong, "communicable language", and serialism. These elements are used to explore the mysteries of Christian faith, in this, his most massive work for organ.  (Part of The Complete Organ Works of Olivier Messiaen by Colin Andrews, LRCD-1163)

Messiaen's Livre d'Orgue (1951) is a technical tour de' force, demonstrating his complete mastery of Viennese serial technique, while also incorporating complex Hindu rhythmic formula and bird songs. In addition there are several popular early works, "The Celestial Banquet" and "Apparition of the Eternal Church," and three recently discovered pieces that have been rarely heard. (Part of The Complete Organ Works of Olivier Messiaen by Colin Andrews, LRCD-1163)

St. Basil Chapel's sublime acoustics matched with architect Philip Johnson's dynamic and contrasting forms have created an extraordinary place for sacred music. Brady Knapp directs the University Singers.

The two canticles for Anglican Evensong, Magnificat and Nunc Dimittis, are presented here in diverse settings by American composers including Craig Phillips, Roland Martin, Leo Sowerby, Gerald Near, Howard Helvey and Harold Friedell. Also included are first recordings of Craig Phillips’ Jubilate Deo and Larry King’s A Canticle of Praise. Performed by the choirs of the Cathedral of St. Philip (Atlanta) with brass and percussion from the Atlanta Symphony Orchestra. Dale Adelmann directs; David Fishburn and Patrick Scott are the organists.

Dan Bara's debut recording with the University of Georgia (Athens) Hodgsons Singers. Includes Arnesen's "Even when He is silent", Ivor Davies "Prayers from the Ark" and works by Macmillan, Chilcott, Clausen, and Gabriel Jackson.

This first solo release by Raymond Chenault, is performed on the Buzard organ of All Saints’ Episcopal Church (Atlanta) and features 19th and 20th century French, Belgian and Dutch organ works.

Overshadowed by others in the first half of the 20th century, both Finzi and Howells have emerged as major composers of the period, deserving of their own places alongside Vaughan Williams and Britten. Howells’ Requiem in particular must be one of the greatest choral compositions of the century.

The iconic Walt Disney Concert Hall organ's rich textures are demonstrated in this dramatic program by Daryl Robinson. Included are world premiere recordings by Aaron David Miller, Jeffrey Brillhart, David Briggs, Jason Roberts and George Baker. Made by Glatter-Gotz and Manuel Rosales, the Disney Hall organ is heard here in its first commercially available recording.

What were the first organ concertos? This recording proposes new evidence of the earliest in the genre by Bach and Handel. Matthew Dirst plays the Fritts organ of St Philip Presbyterian Church, Houston with Ars Lyrica Houston.

A compilation of Pacific Northwest composers, especially Morten Lauridsen who accompanies the choir on piano. Other works by Joan Szymko, John Muehleisen, Giselle Wyers, Stacey Philipps, Steven Goodwin and Naomi LaViolette. Includes several American and World Premieres.

The Choir of St James Episcopal (LA) under the direction of James Buonemani presents a program of meditative works, including several premiere recordings. We suggest you sample track 11 first, and click on the CD image cover to read more about this recording.

The first recording of the Fisk organ at Pomona College is presented by William Peterson, Pomona College Organist, Emeritus. Peterson's program includes a number of works with Pomona College connections, including pieces by John Cage, Karl Kohn and Tom Flaherty. Also included are several works from "Voices of Christian Sorrow", a large collection dedicated to heroes of WWI.

Anne Laver explores works about celestial light, with examples from a wide variety of styles, including the rarely heard Fantasy and Fugue by Heinrich Reimann. Played on the large Paul Fritts organ at St Joseph Cathedral in Columbus, OH.

Roger W. Sherman plays a recital featuring Keith Hill's 17-century French harpsichord, inspired by an instrument by Tibault. Music by D'Angelbert, F. Couperin and Jacques Duphly.

July 17, 2019 marked the day Christ Cathedral (formerly the Crystal Cathedral) was dedicated to be the liturgical and artistic center for the Roman Catholic Diocese of Orange. The music for that service is presented here, which includes many original works commissioned for the occasion.

Re-imagined as a single work in 18 movements, the Mendelssohn Sonatas receive a new interpretation based on historical perspectives by Hans Davidsson. The 1806 Shiorlin organ in Gammalkil, Sweden provides unique tonal possibilities of Mendelssohn's great work for organ.

This recording provides a glimpse of both festive and intimate sounds heard during the season of Christmas at the Cathedral of St. Philip, Atlanta. Included are premier recordings by Craig Phillips, Charles Beaudrot, Frank Boles, Stephen Paulus and Howard Helvey. Brass and percussion from the Atlanta Symphony join the choirs.

Arrangements of five Shaker songs by Kevin Siegfried provide the structure for this album of 20th and 21st century choral works. The texts for this program explore themes of peace, a parent's love, and awe in God's creation, concluding with two motets for Advent and Christmas.

This extraordinary choir is directed by Deanna Joseph and was recorded in the warm acoustics of Peachtree Road United Methodist Church in Atlanta.

This is the first recording of Richards, Fowkes Opus 16, located in Goodson Chapel at the Duke University Divinity School. The chapel space presents a warm acoustical environment, allowing the organ to project a solid but unforced sound. The new organ is a gem among the extraordinary collection of organs at Duke.

Rakich's imaginative programming explores new works by Woodman and Cooman, and new arrangements of works by Mendelssohn and Chaminade (with Wendy Rolfe, flute). Bach and Klas Bolt (longtime organist of the famous organ at St Bavo's Church in Haarlem, The Netherlands) complete the composer roster.

Recorded with 24-bit samples at a sampling rate of 96k.