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The Eastman Italian Baroque organ/Porter, Davidsson, Higgs
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The only full-size Italian Baroque organ in North America, Eastman's newly installed and restored instrument reveals the exotic sounds of another culture and time. Played by three virtuosi of the school's faculty, the organ sounds as beautiful as it appears: a genuine work of art.
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Bertali: Missa Ressurectionis; Yale Schola Cantorum, Simon Carrington, director
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World Premiere Recording! Easter Sunday in Imperial Vienna, 1666, Missa Ressurectionis by Antonio Bertali, with motets and incidental music by Froberger, Vejvanovsky and Geist. Simon Carrington directs the Yale Schola Cantorum, Spiritus Collective and Yale Collegium Players in this live, world premiere performance.
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Clemens: Requiem & Motets/Tudor Choir
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The Tudor Choir adds to its critically acclaimed collection of recordings with this new CD of music by Renaissance composer Jacob Clemens non Papa (c.1515-c.1555). Clemens composed in all of the expected genres of his time. Much of his music is infused with a personal quality that differs from the generally abstract nature of much Renaissance sacred music. The music on this disc is a survey of his Latin-texted sacred polyphony, including his intimate Requiem, plus a Magnificat setting and a sampling of motets. The pieces chosen for this recording reveal texts that portray such themes as relationships, family, and remembrance, and therefore demonstrate the unusual "personal" quality to be found in Clemens' works.
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The Shapenote Album/Tudor Choir
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Using a high-energy, vibrato-less singing style, the Tudor Choir creates a choral sound that is both unusual, yet entirely appropriate for these early American hymns. Works from the Sacred Harp and similar sources. Booklet contains full texts and commentary on each tune.
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Bach Masses, v.1/Washington Bach Consort
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The success of Bach's B-minor Mass has obscured a number of his shorter masterpieces of the same genre. Written in the 1730s these masses—which consist only of a Kyrie and Gloria setting—could be performed in both Catholic and Lutheran liturgies. Sometimes misleadingly called "The Lutheran Masses," Bach used them to gain recognition from the Catholic court of Dresden, which bestowed upon him the title "Electoral Saxon and Royal Polish Court Compositeur." Program notes by eminent Bach scholar Christoph Wolff.
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Bach Encounters Buxtehude/Marshall
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Bach Encounters Buxtehude
Kimberly Marshall, organist
In the autumn of 1705, Johann Sebastian Bach traveled to Lübeck to learn what he could from the famous organist, Buxtehude. Accounts suggest that his organ playing changed dramatically. On this CD you can explore the often intangible links between these two composers, bringing together some of their most popular works for the organ.
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Bach: Clavierübung III & Schübler Chorales/Lippincott (2 CDs!)
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Joan Lippincott continues her Bach series with two of the most substantial collections published during Bach's lifetime. The Clavierübung III follows Book I (Italian Concerto) and Book II (Goldberg Variations) and precedes Book IV (Art of Fugue), and altogether represents Bach’s highest achievements in the art of writing for the keyboard. Clavierubung III, sometimes called “The Organ Mass” begins with settings of the Kyrie and Gloria, but is structured after the German Lutheran catechism. Included in this recording are both the large chorales, the alternative chorales for manuals only and the four duetti. Bach’s collection of cantata movement transcriptions for organ published by Schübler in 1742 includes the famous “Wachet Auf!”, and rounds out this two-CD collection. Program notes by noted Bach scholar, George Stauffer.
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Fair with her Firstborn/Tudor Choir
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Shape note music, Shaker songs, Sheppard, Tallis, and Victoria: This is a choir to watch! - Fanfare
The music on this recording spans many centuries, including 20th-century carols, Tudor polyphony, and chant from medieval England's Sarum rite. Producing a choral sound that is distinctly English in heritage, the Tudor Choir sings this music with intelligence and heart.
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Bach: One of a Kind/Porter
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This is the first nationally released CD recorded on the new Paul Fritts organ at PLU. Fritts' magnum opus, this spectacular organ has 54 stops/ 80 ranks on three manuals. The pedal division includes a full length 32' Posuane as well as a 32' Subbass. The combination of one of the finest organ builders and organists in the United States, 24-bit recording technology, and Lagerquist Hall's four-second reverberation time, make this CD a must-have! Our number one selling Bach organ CD.
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Toccatas & Fugues by Bach/Lippincott
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The large Flentrop organ of Duke University Chapel is the venue for the latest in Lippincott's Bach organwork series. Those works entitled "Toccata" are among Bach's most famous and best loved works. Notes by Bach scholar George Stauffer, and a description with complete stoplist of the Flentrop organ are included in the booklet.
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Bach and the Italian Influence/Marshall
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"Bach and the Italian Influence" explores the Italian influences on Bach, and is presented by organ scholar and international performing artist, Kimberly Marshall. The Stanford Fisk is unique in that it incorporates two different tuning temperaments (well-tempered and meantone), both of which are heard on this recording.
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Sinfonia: Organ Concertos and Sinfonias by J.S. Bach/Lippincott
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Bach concertos for organ and orchestra? Joan Lippincott makes a compelling and logical case for constructing organ concertos from the "organ sinfonias" of Bach's cantatas. Booklet includes essay on these organ solo+orchestra pieces by noted Bach scholar, George Stauffer.
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Bach: Leipzig Chorales/Lippincott
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When Bach died in 1750, he left behind an incomplete manuscript that was perhaps being prepared for future publication. The intent of the collection, or the organizational scheme are difficult to discern, but Bach may have been planning something on the same scale as Clavierübung III (the "German Organ Mass"). Whatever the intent, these enlargements and revisions of earlier chorale preludes contain some of Bach's most sublime musical moments.
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The Great Contest/Yearsley
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What if the greatest keyboard players of the first half of the eighteenth century, Bach, Scarlatti, and Handel--all born the same year--had met in a contest pitting their devastating technical brilliance and quickness of invention each against the other? This recording imagines these three remarkable musicians competing on that most celestial of instruments, the organ; the organ being the large Fisk-Nanney at Stanford Memorial Church.
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Sienese Splendor/Marshall
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The sounds of this sixtennth-century Italian organ establish a tangible link to th emusical culture of the Italian Renaissance. Located in Siena, the 1519 Piffaro organ has a beautiful, gentle, vocal sound that is ideal for this music. Organist Kimberly Marshall plays these delightful gems on this, her most popular recording.
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Pachelbel Canon/Seattle Baroque
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Known for their intense yet elegant playing style, Seattle Baroque breathes fresh life and vigor into the famous Canon and other masterworks.
"The excellent Seattle Baroque Orchestra shows us what dynamic leadership can achieve in the seventeenth- and eighteenth-century repertory." [Chicago Tribune]
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Bach: Preludes & Fugues/Lippincott
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Of the many musical forms that J.S. Bach cultivated during his lifetime, none has enjoyed more lasting influence than the prelude and fugue. In this recording, Joan Lippincott provides us with a beautifully rounded survey of Bach's mature preludes and fugues, from the Pièce d'Orgue, BWV 572, one of his boldest independent preludes, to the Prelude and Fugue in E Minor ("Wedge"), BWV 548, one of his most ambitious compostions for the organ. To round out the recording, Lippincott also includes the Canonic Variations on Vom Himmel hoch, a very late work, written at the same time Art of Fugue and the Musical Offering
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Bach and the French Influence/Marshall
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Noted organist and scholar, Kimberly Marshall, explores the relationship between French classical composers and Johann Sebastian Bach. The Stanford Fisk incorporates two different tuning temperaments (well-tempered and meantone), both of which are heard on this recording.
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The Viennese Romantic Piano/Penelope Crawford
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The music of Schubert, Mendelssohn & Schumann takes on new life in this recording of a beautifully restored 1835 Graf piano. Penelope Crawford plays with drama & lyricism, using the full range of colors and subtle shadings that this extraordinary Viennese piano provides.
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Organs of Ostfriesland v.1/Vogel
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Oostfriesland in Northwest Germany, together with the adjacent region in Holland (Friesland) contains the largest concentration of antique pipe organs in the world. The five organs heard on this CD represent organ culture from the Renaissance, the Baroque, and the Rococo. Full descriptions and pictures of each organ, and registrations used are included in the 28-page booklet.
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